Beabadoobee’s Pylon: Embracing Volatile Emo and ’90s Rock Nostalgia– Indie Is Not A Genre, Sep. 2026

Babehoven’s I See Them, I See Me: Poetic lyrics untangle nuanced relationships with bold, experimental indie-folk flair– Indie Is Not A Genre, Sep. 2026

Almost Monday’s THANK GOD IT’S ALMOST MONDAY: Dancing the Darkness Away with Simplistic, Summery Style– Indie Is Not A Genre, Sep. 2026

Jungle’s Sunshine: ’70s Staple Sounds and an Electronic, Island Vacation Style Invigorate Bittersweet Messaging– Dancing the Darkness Away Indie Is Not A Genre, Aug. 2026

Phoebe Bridgers’ Lost Weekend: Resonant Celestial Soundscapes Support Witty, Soulful Storytelling– Indie Is Not A Genre, Aug. 2026

Joyeria’s Decay Decay Decay: Layers of Human Deterioration in Tangible Melodic Anguish– Indie Is Not A Genre, July 2026

Mallory Hawk’s Chinook: A Soul-Bearing, Burden-Breaking Debut– Indie Is Not A Genre, July 2026

Returning to Lekkerland: Casey Lowery On “Lekkerland 2,” Supportive Life stories, And Building A Musical World– Indie Is Not A Genre, June 2026

Bleachers’ everyone for ten minutes: A colourful, authenticity-rooted return– Indie Is Not A Genre, May 2026

 

©Raven Sanchez